Friday, April 5, 2013

New guardian of French tongue is (gasp!) British

PARIS (AP) ? The newest official guardian of the French language has spoken: English, he says, is jumping the barricades and threatening the language of Moliere.

He should know. He's British ? the first from his nation to become one of the 40 esteemed "immortals" of the Academie Francaise, the institution that has watched over the French language since 1635.

Is he a fox in the hen house ? as one might think given the history of mutual disdain between England and France? "No," Michael Edwards assures. "Nor am I the Trojan Horse. I don't want to stir things up."

But he just might.

Edwards, a Cambridge-educated poet, writer and translator married to a French woman, says that while he became a French citizen a decade ago, his British identity is "essential."

"I don't stop being British. No," he said in an interview this week in his office at the august College de France, where he holds a chair in the Study of Literary Creation in the English Language. For example, he wonders why there are no French words to express certain concepts. One can descend in French, "descendre," but one cannot "ascendre," or ascend ? as Edwards has to his illustrious seat.

The British scholar, who will be 75 later this month, was voted into the Academie Francaise in February ? on his third try, with his first candidacy in 2008. Becoming an "immortal," which takes lots of real-world networking, is for him something akin to entering the celestial realm of the gods of French literature.

"When I was a student, the Academie Francaise was a kind of unreal paradise in which lived people like Racine and La Fontaine and Voltaire and Hugo and Claudel and Valery."

It's unusual in the extreme for an outsider like Edwards to be elected to the elite French club ? but not without precedent.

Another Anglo-Saxon, Julien Green, born in Paris to American parents and schooled in the French system, preceded Edwards at the Academie Francaise. But Edwards, born outside London, is the first member from Britain speaking French as an adopted language. He is not, however, the only foreign-born member of the Academie Francaise. In fact, one of them ? Chinese-born Francois Cheng ? encouraged Edwards to seek a seat. It took three tries and lots of networking to gain backers among the members ahead of this year's victory vote.

And while winning recognition from the French language elite was a battle for Edwards, there were no signs that French snobbery regarding his British origins played a role in the process.

Edwards chuckles when asked why he wanted to become a so-called immortal. "It's like asking someone, why did you want to play in the World Cup?"

Unlike owning the World Cup soccer trophy, however, becoming a member of the Academie Francaise is an honor that lasts for life. Immortals are only replaced when one of the 40 dies. The graying institution ? where more than half of its members are over 75 and only five of them women ? currently has four vacant seats.

Edwards will take Seat No. 31, replacing writer Jean Dutourd, in November. Then, he will don a gold-embroidered green suit and take up his ornamental sword in an elaborate ceremony, and deliver a lengthy speech ? to be published word-for-word in some French newspapers.

But this lover of Shakespeare already has some clear thoughts about the French language's biggest enemy: English, which has become the world's lingua franca.

"I don't think it's paranoia. I think they're right. English is a threat," he said. But it's not "real English" that threatens the French language, he quickly added.

The real problem? Bad English ? "the sort of universal lingua-anglica which is not proper English and which invades French through all sorts of expressions which are unnecessary," he said.

Edwards also spies what he says is a deeper, more insidious threat: the growing demand on the French to write in English for professional reasons. He sees that as potentially "very dangerous" to philosophers and scientists, for instance, where language can have an impact on the work itself.

"A language is a living organism. It's a way of thinking, a memory," Edwards said. "It's important that a French philosopher think in French," he said. If not, that person "might, to put it crudely, become a British philosopher."

French, once the official language of international diplomacy, has steadily lost ground to English. That's despite two laws, enacted in 1975 and 1994, to ensure the French language holds its own in the work place, in businesses and at international conferences in France.

In 2006, then-President Jacques Chirac walked out of a European Union summit to protest a particularly offensive affront to the French tongue: a French business executive addressing EU leaders in English. In a sign of the changing times, France's finance minister last month fielded questions in French at a news conference in Sweden ? and happily answered them in English to satisfy the international crowd.

Academicians, as members of the gold-domed Academie Francaise are called, don't make laws. They simply hand down judgments, which the French are expected to abide by to keep their language pure. That's a hard task in a globalized world in which foreign languages constantly intrude. Most English words are kicked out for a French equivalent, for example eco-friendly should be "respectueux de l'environnement" (respectful of the environment). That contrasts with the English who "like foreign sounds in English."

"The French believe that the French language should be controlled from above, and the Academie Francaise has a mission to do precisely that," said Edwards. He gave assurances that the Academie is not "trying to embalm French" but it does "take very seriously the beauty of the French language."

Edwards writes poetry and essays in English and French and speaks French with a slight, almost elegant English accent. He began studying French at age 11 in England and recalled that as his studies advanced, the French language opened a door into another world ? one which he has spent decades contemplating through his poetry, essays and lectures. "Le Rire de Moliere" (Moliere's Laugh) published last year, offers a new way to interpret the writings of the man whose name for many is synonymous with the French language.

Edwards hopes to get a spot on the commission that has been revising the French dictionary since the time of Cardinal Richelieu, the institution's founder.

The Academie Francaise is a rarefied society that includes not just literati but scientists and even a former French president, Valerie Giscard d'Estaing. Ironically, some great French writers never got their foot in the door ? including Moliere.

Edwards was careful not to wreck his reputation by saying anything too radical before taking his seat in November. But, he ventured, the English language might have a lesson for the French. "I do feel ... a language is alive when it changes, and English is aware of other languages and borrows from them when it is useful to do so."

Then he let go with one more, perhaps truly renegade, thought: "The language really under threat is English."

Today, he explained, two non-native English speakers will often communicate in a mangled, hybrid English.

"The language chatted around the world is poor English," Edwards said.

Source: http://news.yahoo.com/guardian-french-tongue-gasp-british-135014597.html

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Thursday, April 4, 2013

Green Pea galaxies could help astronomers understand early universe

Apr. 3, 2013 ? The rare Green Pea galaxies discovered by the general public in 2007 could help confirm astronomers' understanding of reionization, a pivotal stage in the evolution of the early universe, say University of Michigan researchers.

Reionization occurred a few hundred million years after the Big Bang as the first stars were turning on and forming the first galaxies. During this period, the space between the galaxies changed from an opaque, neutral fog to a transparent charged plasma, as it is today. Plasma is gas that's electrically charged.

As for how this happened, the prevailing theory holds that massive stars in the early galaxies produced an abundance of high-energy ultraviolet light that escaped into intergalactic space. There, the UV light interacted with the neutral hydrogen gas it met, blasting electrons off the hydrogen atoms and leaving behind a plasma of negatively charged electrons and positively charged hydrogen ions.

"We think this is what happened but when we looked at galaxies nearby, the high-energy radiation doesn't appear to make it out. There's been a push to find some galaxies that show signs of radiation escaping," said Anne Jaskot, a doctoral student in astronomy.

Jaskot and Sally Oey, an associate professor of astronomy in the College of Literature, Science, and the Arts, have found that the Green Peas could hold that evidence. Their findings are published in the current edition of the Astrophysical Journal.

"The Green Peas are compact, highly star-forming galaxies that are very similar to the early galaxies in the universe," Jaskot said. "Our analysis shows they may be leaking ionizing radiation."

The researchers focused on six of the most intensely star-forming Green Pea galaxies, which are between one billion and five billion light years away. They studied their emission lines as observed by the Sloan Digital Sky Survey. Emission lines show how light interacts with matter, and in this case, they helped the astronomers understand the relationship between the stars and gas in these galaxies.

The emission lines told Jaskot and Oey how much light the galaxies absorbed. Then, to determine how much light was there to start with, they ran models to estimate, for example, how old the galaxies are and how many stars they contain. The galaxies, the researchers determined, produced more radiation than the researchers detected, so they infer that some of it must have escaped.

"An analogy might be if you have a tablecloth and you spill something on it. If you see the cloth has been stained all the way to the edges, there's a good chance it also spilled onto the floor," Jaskot said. "We're looking at the gas like the tablecloth and seeing how much light it has absorbed. It has absorbed a lot of light. We're seeing that the galaxy is saturated with it and there's probably some extra that spilled off the edges."

Jaskot says the Green Peas are exciting candidates to help astronomers understand a major milestone in the development of the cosmos 13 billion years ago.

The paper is called "The Origin and Optical Depth of Ionizing Radiation in the 'Green Pea' Galaxies. The research is funded by the National Science Foundation.

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The above story is reprinted from materials provided by University of Michigan.

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Journal Reference:

  1. A. E. Jaskot, M. S. Oey. The Origin and Optical Depth of Ionizing Radiation in the "Green Pea" Galaxies. Astrophysical Journal, 2013 [link]

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/most_popular/~3/XdoUR4HhPC8/130403141446.htm

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John Mayer: Jealous of Katy Perry and Russell Brand?

Source: http://www.thehollywoodgossip.com/2013/04/john-mayer-jealous-of-katy-perry-and-russell-brand/

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Adoption at the Movies : Adoption Movie Guide: The Croods

Eep is a prehistoric teenager with modern problems. Her father wants to protect her, but she views his protection as smothering. She introduces the movie by saying, ?With every day comes a new beginning- a hope that things will be better. But not for me.? She explains that ? to keep her safe ? her father has her spend much of her life in a cave.


What Does This Have To Do With Adoption?

Grug and his family are cavepeople. Their world is dangerous. They?ve witnessed horrible things. Grug has responded by sheltering his family behind a wall (actually, within a cave) so that they can?t be hurt by the outside world. Many children in foster care, and many children in adoptive families have also created an emotional wall to protect their feelings from anticipated hurts. Grug?s wall was forcibly removed, and that might be meaningful to some viewers. As Grug learns to look for a better future, children may also be able to lower their walls and hope for better experiences. The movie encourages viewers to not hide and not fear the future.

Grug is overly-cautious with his daughter; some writers have theorized that adoptive parents are often extra-careful because they?ve waited so long to be parents and because they feel judged by the system and their peers.

There?s plenty to like in this movie:

Grug is a strong and selfless father who obviously puts his family?s needs over his own. He is the last to enter the cave, the last to eat at a meal, and the one to ensure others are safe, even at risk to himself. He does not complain about this, but seems to view it as a natural part of life as a father. His selflessness as a father is a rarity in movies; it stands in sharp contrast to the selfishness of Gru in Despicable Me.

Grug?s family has a strong cohesive identity. The difficulties of prehistoric life make them bond together. They defend each other, hunt together, and they travel together.

Grug is affirmed for ?keeping us all alive.? Although he has struggled to express emotions, Grug invents the hug to show Eep that he loves her. Grug and Eep are also eventually able to verbally express their love for each other.

Grug?s wife encourages him to be patient with Eep as she works through her feelings.

When a new acquaintance tries to get her to leave with him, she replies, ?I don?t even know you.?

Eep defends her new friend from her family, but also defends her family from her new friend?s judgments.

Eep?s new friend, Guy, encourages her to believe that the future will not be frightening.

Grug says that everything is dangerous. There might be a lesson here for parents, kind of in line with The Boy?

Who Cried Wolf? If you caution your kids away from too many things, your words might start to bear less weight.

There is a bit of a challenge with regard to the message the movie sends.

Grug?s selflessness is shown, but not really mentioned. The turning point of the movie is that old-fashioned, sensible, and cautious Grug becomes wise enough to relinquish his leadership to a young man with innovative ideas. Grug is selfless, but the focus of the movie is that Eep is right, and Grug needs to change his old-fashioned overly-cautious ways. I find myself wishing that the film also made room for Eep to more fully acknowledge her father?s goodness; as it is, the movie seems to come alongside tweens and say, ?You?re right. Your parents are a bit slow.?? Parents might also not appreciate the movie?s message that Eep?s more-or-less boyfriend is smarter than her father. At least, that?s one way that the movie can be interpreted.

And here?s the challenge: The first interpretation comes if a viewer identifies with Eep. The second comes if the viewer identifies with Grug. But kids watching the film might be more likely to identify with the teenager than the parent.

A pivotal moment in the film occurs when Eep sneaks out of her house at night. This actually helps bring about the film?s happy ending. As a foster care social worker, I often worked with kids who were ?runaway threats.? This film presents running away in a positive light.

Grug has a difficult relationship with his mother-in-law. Although he protects her, he also appears to be gladdened by the thought of her dying.

A character mentions being traded to her new husband.

There is a lot of good to draw from The Croods. Families can watch it with young foster or adoptive children ? the film will probably appeal most of all to kids between the ages of 5 and 12. The movie should be helpful to start discussions about a fearful or pessimistic view of the future, the ?walls? that we sometimes build up, and the right role of a father. ?

Questions to talk about together after the movie:

Why did Grug want his family to live in a cave? In what ways do people today sometimes make caves for themselves?

What?s good about living in a cave? What do you miss out on by living in a cave?

Grug wasn?t ready to leave his cave right away. His cave kind of got taken from him. Have you ever felt like your cave was taken away?

Do you feel like you live in a cave sometimes?

What makes Grug a good dad? What parts of him aren?t so great?

You might also want to read:

Source: http://www.adoptionlcsw.com/2013/04/adoption-movie-guide-croods.html

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Wednesday, April 3, 2013

? Buy Cheap While Supplies Last! 2013 Lent Promotion ? Sale ...

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Source: http://ragzin88.blogspot.com/2013/04/buy-cheap-while-supplies-last-2013-lent.html

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Nokia?s next-generation flagship Lumia 950 possibly revealed in leaked photo

PARIS, April 2 (Reuters) - Paris St Germain 2 Barcelona 2 - Champions League quarter-final, first leg result At Parc des Princes Scorers: Paris St Germain: Zlatan Ibrahimovic 79, Blaise Matuidi 90+4 Barcelona: Lionel Messi 38, Xavi 89 penalty Halftime: 0-1; Teams: Paris St Germain: 30-Salvatore Sirigu; 26-Christophe Jallet, 13-Alex, 2-Thiago Silva, 17-Maxwell; 29-Lucas, 32-David Beckham (24-Marco Verratti 70), 14-Blaise Matuidi, 27-Javier Pastore (19-Kevin Gameiro 76); 18-Zlatan Ibrahimovic, 11-Ezequiel Lavezzi (7-Jeremy Menez 66) Barcelona: 1-Victor Valdes; 2-Daniel Alves, 3-Gerard Pique, ...

Source: http://news.yahoo.com/nokia-next-generation-flagship-lumia-950-possibly-revealed-214053400.html

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